Hi everyone, Today I just thought that I would talk about Barthes Narrative codes which is something that I have previously talked about on my blog. I will be talking about how these codes changed some of our planning when it came to filming our thriller opening.
These codes were we think easy to add into our thriller opening and some we didn't realise that we already added. However putting some in did not change the story of our thriller opening and didn't overtake what we were trying to show the audience.
We tried to add as many of these codes that we could to bring our opening together more and to try and make sure it made sense to the audience.
For example, a code that we think we used best was the semic code, mystery code and the code of opposition.
As you will already know from my previous blog post, we used clips of black and white war planes and graveyards to portray that this film has an aspect of the past to it. This also shows the audience that war and death are a big part of what our film is about as well.
We used the mystery code by leaving our thriller opening on a 'cliff hanger' and starting the title montage straight after this. The 'cliff hanger' ends with the girl finding an old war document about her Grandads past which we believe will make the audience carry on watching to see further of what this means and what it brings.
The code of opposition we think we used very well in our thriller opening although at first we didn't realise that we had put it in. We think that we used this well as our opening titles contain clips from the past and the present which refers to old v new, telling the audience that our film is a mix of both.







